Programme
Rose Nordin: Sharp Eyes for the Invisible
When
Opening: 10 October 6-8pm
Exhibition: 11-20 October 2024
Where
Metroland Studios, 91 Kilburn Square, NW6 6PS
(Behind Kilburn Market)
The gallery is wheelchair accessible with step-free access. There are wheelchair accessible toilets.
Book your free ticket to the opening event!Presenting new and existing works by Rose Nordin
‘My work makes vessels for words — through documentation, distribution, recitation and ritual — stray words I am led to in tangents come with me into projects.’
A collection of divine tangents as part of Rose’s on-going exploration of Southeast Asian ritual practices and the language and materials that ground them.
Through animistic and Islamic melting of myth found in Southeast Asian invocations and rituals that centre paper, tin and limestone; Rose works to produce matter that communes in a space between language, technology and magic.
Sharp Eyes for the Invisible runs in the Metroland Studios gallery 11-20 October. The exhibition will open with a preview on the 10 October, from 6-8pm.
This is the third exhibition platforming the work of Metroland Cultures’ Peer-to-Peer artists, where the gallery is used to test new work or as a site of further production. Peer-to-Peer is a studio and associates programme supporting 10 artists, who are either based in or have a connection to Brent. Learn more about Peer-to-Peer.
Rose Nordin
Rose Nordin is an artist and graphic designer working with expanded notions of publishing. Through type design, flag making, installation and metalwork, Rose is interested in printed and material language for governance and devotion.
Rose was previously Artist in Residence at Jan Van Eyck Academie (NL) Research Associate at iniva (UK), Social Practice Fellow at the University of Chicago (USA) and is an associate lecturer at the University of Arts London.
More on at Metroland…
Metroland Exhibitions Programme 2024/25
A look at the exhibitions coming up in our gallery.
Divinations: a collective enquiry
How can a community transform a biennial?And how can a biennial be for and with the community?
Choreography for the Hundred Thousand